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Ann Hould-Ward (born April 8, 1954, Glasgow, Montana)〔(Biography and credits ) filmreference.com, accessed May 20, 2009〕 is an American costume designer, primarily for the theatre and dance. She has designed the costumes for 19 Broadway productions (as of February 2011). She won the 1994 Tony Award for ''Beauty and the Beast''. ==Biography== Ann Hould-Ward attended Mills College (B.A.), the University of Virginia (M.F.A.),〔Rathbone, Emma.(A Stitch in Time" )''The University of Virginia Magazine'', Spring 2010〕 and the Art Students League.〔("Hould-Ward, Ann 1954-" ) Contemporary Theatre, Film and Television, (highbeam.com article preview), January 1, 2008〕 After writing to Patricia Zipprodt asking for a job, she was introduced by her to Rouben Ter-Arutunian and became his assistant. She later was Zipprodt's assistant.〔Pecktal, pp. 99-101〕 Her first Broadway costume designs were for the musical ''Sunday in the Park with George'' (1984), in collaboration with Patricia Zipprodt,〔("'Sunday in the Park With George' Listing, 1984" ) sondheimguide.com, accessed February 13, 2011〕 for which they received a joint Tony Award nomination.〔("Tony Award nominees and winners, 1984, 'Sunday in the Park with George'" ) tonyawards.com, accessed February 13, 2011〕 She designed the costumes for the Broadway musical ''A Catered Affair'' (2008),〔Brantley, Ben.("Theater Review:Here Comes the Bride, All Wrapped in Gloom" )''The New York Times'', April 18, 2008〕 for which she received the 2008 Drama Desk Award nomination for Outstanding Costume Design.〔("2007-2008 53rd Drama Desk Awards" ) dramadesk.com, accessed February 13, 2011〕 Her costumes for ''Beauty and the Beast'' (tour) were called "luscious, from peasant garb in the early scenes to elegant formal wear in the finale and the ornate costumes of the half-human candlesticks, clocks and teapots that share the Beast's spell."〔Clear, Marty.(Review: 'Beauty and the Beast' still spellbinding ) tampabay.com, January 21, 2011〕 In reviewing Stephen Sondheim's ''Road Show'', the ''theatermania.com'' reviewer noted: "Still, the ensemble members definitely look smart in the outfits Ann Hould-Ward has designed to conjure the blueprints Addison ran up for his fabled Palm Beach homes."〔Finkle, David.("Reviews: 'Road Show;" ) theatermania.com, November 19, 2008〕 Her costume designs for the revival of Sondheim's ''Company'' were called " dark, sleek costumes" by the ''USA Today'' reviewer.〔 She has designed costumes for many regional theater companies. At the La Jolla Playhouse (California) she designed the costumes for ''Going To St. Ives'' in 2000.〔Ehren, Christine and Manus, Willard.("La Jolla No Longer Going to St. Ives Oct. 15" ) playbill.com, October 15, 2000〕 Her costume designs for ''Red, Hot and Blue'' were used in productions at the Goodspeed Opera House, East Haddam, Connecticut in 2000 and the Paper Mill Playhouse, Millburn, New Jersey in 2001. According to John Kenrick her "costumes hit all the right notes".〔("'Red, Hot and Blue', Paper Mill Playhouse - Millburn, NJ" ) musicals101.com, October 26, 2001〕〔Vineburg, Steve.("Hot enough; Goodspeed revives a Broadway castoff ) worcesterphoenix.com, November 23–30, 2000〕 Her work at The Old Globe Theatre, San Diego, California, includes ''The Countess'' in 2001.〔Ehren, Christine.("Art Isn't Easy: Murphy's Countess Arrives at San Diego's Globe March 28-May 6" ) playbill.com, March 28, 2001〕 She designed costumes for several productions at the Arena Stage, Washington, DC, including ''Three Sisters'' (1984),〔Gussow, Mel.("Theater: 'Three Sisters' In Translation By Jarrell" )''The New York Times'', February 19, 1984〕 Sondheim's ''Merrily We Roll Along'' (1990)〔("'Merrily We Roll Along', 1990 Arena Stage Production" ) sondheimguide.com, accessed February 13, 2011〕 and ''Let Me Down Easy'' (2010).〔("'Let Me Down Easy' Listing, Arena Stage" ) arenastage.org, accessed February 13, 2011〕 Her Off-Broadway work includes, at Playwrights Horizons ''Lobster Alice'' (2000), at the Public Theater ''Road Show'' (2008), and at Second Stage Theatre ''Let Me Down Easy'', by Anna Deavere Smith (2009).〔〔Isherwood, Charles.("Theater Review | 'Let Me Down Easy'" )''The New York Times'', October 8, 2009〕〔Pecktal, p. 99〕〔 Her costumes for The Public Theater Shakespeare in the Park outdoor staging of ''A Midsummer Night’s Dream'' in 2007 were said to be "stunning, audaciously conceived Victorian costumes. Enos looks scrumptious enough to eat in her pink and white bustled dress that might easily pass muster as a wedding cake."〔Saltzman, Simon.("CurtainUp Review:'A Midsummer Night's Dream'" ) curtainup.com, August 22, 2007〕 She designed the costumes for the US National tour of ''Dr. Dolittle'' (2005); Hould-Ward stated that she "drew inspiration from the horse's mouth, so to speak; she found original copies of the Hugh Lofting books that were simply illustrated by the author himself."〔Newman, Mark A.(Animal Magnetism" )Entertainment Design, October 1, 2005〕 Hould-Ward has designed costumes for dance and ballet, including the Ballet Hispanico,〔Hering, Doris.("Ballet Hispanico. - performances - Review - dance review ('Guajira'), ''Dance Magazine'' (findarticles.com), March 2000 )〕〔Anderson, Jack.("Dance Review; Cuban Country Folk With Feet Firmly on the Ground, 'Guajira'" )''The New York Times'', (article preview), December 4, 1999〕〔("'Ballet Hispanico' Entire Repertory" ) ballethispanico.org (webcache.googleusercontent.com), accessed February 13, 2011〕Lar Lubovitch's The White Oak Project,〔("Biography from Beauty and the Beast" ) disney.co.uk, accessed May 20, 2009〕〔(Lar Lubovitch Program, Performing Arts Series, January 29, 2011 ) jccc.edu, accessed February 13, 2011〕 and the American Ballet Theatre.〔〔(Credits ) American Ballet Theatre, accessed May 20, 2009〕 She also designs for the opera. She designed the costumes for the Los Angeles Opera production of ''Rise and Fall of the City of Mahagonny'' (2007), starring Audra McDonald and Patti LuPone.〔("LA Opera News Release, 'Rise and Fall of the City of Mahagonny'" )''Los Angeles Opera'', February 9, 2009〕 She designed costumes for Ringling Bros. and Barnum & Bailey Circus in 2001.〔Barbour, David. ("Imagine That!" ) livedesignonline.com, July 1, 2002〕 Her career reached stratospheric heights during 2014 when she was entrusted with redesigning the outfit of America's favourite hamburger clown, Ronald McDonald. She described this as a "highlight" of her career, and few would argue this statement. Her inspired creation centred around a natty red jacket, a matching bow tie & cargo pants.〔()〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ann Hould-Ward」の詳細全文を読む スポンサード リンク
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